Koloreto cukali biography of martin lewis

Alfred Lela. Koloreto Cukali, during those boring meetings in any hotel in Tirana where books are promoted, seminars are held, or bombastic conferences are held with big solutions for Albania, he could hand out some business cards. As a filmmaker, NGO man, radio show host, columnist, etc. Not that anyone has come out yet with a business card that reads Poet, but I think that Cukali would not be presented anywhere, anywhere, as such.

In a quite strange and perhaps poetic way, it is located on the back of a shepherd. The author also shares this impression, saying that the poem should be distributed as a tract. This does not mean that Koloreto Cukali is shy of his status as a poet. Still, without saying it, he is disturbed by the disregard in the public sphere of one of the oldest and noblest genres of civilizations: poetry.

The emergence of this concern is perhaps the very reason that prompts him to write. In a code, language, or genre that seems almost forgotten. Perhaps this is his way of rebelling, trying to keep alive, against the current, the light industry of the verse , in spite of the increasingly heavy industry of the image, of its shrill and endless repetition.

At the same time, poetry can also be how Koloreto Cukali confesses about those 'sins' he commits against poetry, participation, for one reason or another, in pop culture, in mass communication. In this sense, Cukali's poetry is committed , not in the sense that the leftists of the midth century gave to commitment, but quite differently, a spiritual commitment.

This article investigates the political controversies related to the role the international community plays and should play in.

Not to define social classes and orders, but the spiritual and where it takes humanity or spiritually. This grimace seems to be the verse. The intimacies that unfold in Cukali's poems are transformed into sociality because poetry, for him, is an act against the system.